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Nedjelja 30. Travanj 2018
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Vod smrti - poster
RedateljOliver Stone
ScenaristOliver Stone
Ocjena8.0/10
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Vod smrti

Platoon (1986)

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Američki filmski redatelj Oliver Stone sudjelovao je u vijetnamskom ratu i dobio odličja za hrabrost. Ovaj film opisuje doživljaje manje vojne postrojbe u ratu za koji Stone drži da je bio velika američka pogreška. Zbivanja pratimo kroz neku vrstu "dnevničke" ispovijedi mladog dobrovoljca (C. Sheen) koji će tek na licu mjesta shvatiti koliko je njegov idealizam bio naivan i koliko je taj rat strašan. Kako se nižu ratni okršaji, tako se mladi vojnik suočava i s naličjem rata - drogom koju vojnici uživaju i bezrazložnim nasiljem nad civilnim stanovništvom. Te 1967. rat je blizu kambodžanske granice poprimio apokaliptične dimenzije. Mladić je rastrgan između utjecaja dvojice nižih časnika, hladnog i okrutnog profesionalca (T. Berenger) i "humanista" (W. Dafoe) onoliko koliko se to u ratu uopće može biti. I zbog hiperrealizma kojim je rat prikazan, ali i zbog snažne osude rata, film je dobio četiri Oscara: za najbolji film, režiju, zvuk i montažu.


Oliver Stones breakthrough as a director, Platoon is a brutally realistic look at a young soldiers tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a 1968 college student who quits school to volunteer for the Army. Hes shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers and under the two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naďvete of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywoods first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye-view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars, including Best Picture and Best Director, and a reputation as one of the definitive modern war movies.

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